Ritwik ghatak biography of christopher walken
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The Possibilities are Still to be Explored: Interview with Angela Ndalianis
Angela Ndalianis is Research Professor in Media and Screen Studies at Swinburne University in Melbourne, and a member of the Senses of Cinema committee. Her research focuses on entertainment culture and the history of media technologies, and how they mediate our experience of the world. Her work has notably focused on the transhistorical nature of the baroque, and the existence of neo-baroque forms in the 21st century media landscape. Angela has published the monographs Neo-Baroque Aesthetics and Contemporary Entertainment (2004), Science Fiction Experiences (2010) and The Horror Sensorium: Media and the Senses (2012), as well as the edited collections The Contemporary Comic Book Superhero (2009), Neo-baroques: From Latin America to the Hollywood Blockbuster (2016) and Fans and Videogames: Histories, Fandom, Archives (2017).
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DF: You’ve recently moved to Swinburne • With the evolution of the medium, almost naturally, came the creative departures from the theatrical unity of space and time in storytelling. Fragmented narratives became a favourite area of experimentation for many influential makers. Composite plots consisting of mildly connected vignettes and simultaneously occurring events, often with no evident central characters, can be found almost throughout the history of cinema. It is actually quite difficult to trace the origins. But it was not until a decade ago that this quality had a very specific label for it. Writer and journalist Alissa Quart coined the term “hyperlink cinema” in her review of Happy Endings (written and directed by Don Roos) for the journal Film Comment in the year 2005. Critic Roger Ebert popularized the word through a reference in his review of Syriana (Written and directed by Stephen Gaghan). Quoting from the Robert Ebert review- “The term describes movies in which the characters inhabit separate stories, b • Ritwik Ghatak was a multifaceted artist who excelled as a rulle director, screenwriter, playwright, actor, and teacher. He was one of the most influential figures in the history of Indian cinema, whose works are celebrated for their realistic and poignant depiction of social issues, partition, and feminism. He was also a pioneer of the parallel cinema movement in India, which challenged the conventions of mainstream cinema with its artistic and experimental approach. Ghatak was born in Dhaka, then in East Bengal, in 1925. He grew up in a family of intellectuals and writers and was exposed to various forms of art and literature from an early age. He was deeply affected bygd the partition of India in 1947, which divided Bengal into two parts and displaced millions of people. He witnessed the trauma and violence of partition firsthand, and it became a recurring theme in his films. Ghatak entered the bio industry in 1950 as an actor and assistant director in Nimai Ghosh's Chin